Sunday, November 09, 2025

November Playwrighting 9: Top of Act 2 Angels Weep No More

 

Act 2

SCENE 1

(Everything is exactly as we left it at the end of Act 1)

                                SARAH

Ladies, please. Drop them now, s'il vous plait!

                                GABRIELLE

This isn’t real. This can’t be real! Je vous salue, Marie pleine de grâce….uh….uh…Amen!

                                SARAH AND SOPHIE

Amen!

                                GABRIELLE

They are still here!

(SARAH pokes her with her sword)

Ouch! It is real.

                                SARAH

Are you sure/ we are awake? It seems to me/that yet we sleep, we dream.

                                PEARL

Who are the weirdos?

                                SOPHIE

Qu'a-t-elle dit ?

                                MARIE

Il n'est pas grave. What matters is that we find out why we have been summoned.

                                PATTY

As I keep saying, no one called you. I don’t know where you came from but… wait a minute… What do you think, Pearl? Is this all part of the final?

                                PEARL

What?

                                GABRIELLE

This is madness!

                                SOPHIE

Qu'a-t-elle dit?

                                MARIE

Silence! Are you part of the Alliance?

                                SARAH

I could run them through with my sword.

                                PATTY

Now look here, I’ve about had it! We demand you tell us what is going on here!

                               PEARL

You go, Patty! Be the man!

                               GERTRUDE

No, I’ve tried that, and however pleasant it is in private, it never works out in public. Though it does look like times have moved on a bit since I tried.

                                MARIE

Silence! Ces américains never know how to be good prisoners.

                                PATTY

Who do these people think they are?

                                PEARL

Prisoners? Now, look, we have rights!

                                GABRIELLE

You have no rights in France. And “these people” are France.

                                GERTRUDE

There is no there there.

                                 PEARL

Patty, this makes no sense! We should leave.

                                PATTY

That’s the first sensible thing you’ve said all day!

                                MARIE

Non, leave, you speak with authority, but ignorant. We want to know why you have summoned us. We have ways of making you talk!

                               GABRIELLE

She is ignorant.

                                PATTY

Hey!

                                GABRIELLE

They both are.

                                PEARL

Hey!

                                GABRIELLE

It isn’t an insult; it is a fact. You are not in your own country. Do you know even one of these women?

                                PATTY

Who cares who they are?

                                GABRIELLE

Tourist! You were probably just here to see Jim Morrison, like all the other Americans who come to Pere Lachaise!

(GERTRUDE, SOPHIE, AND SARAH gasp)

                                SOPHIE

Qu'a-t-elle dit?

                                GERTRUDE

I don’t remember him at my salon parties.

                                SARAH

No longer mourn for me when I am dead

Then you shall hear the surly sullen bell

Give warning to the world that I am fled

From this vile world, with vilest worms to dwell.

(GERTRUDE AND SOPHIE gasp)

                                MARIE

Oui, yes, old news. Old news. Moving on.

                                GERTRUDE

Well!

                                PATTY

Since there seems to be no end to the living dead people tonight, I figured they were part of that group. But why are they on the rise? I thought they were just part of our…

                                GABRIELLE

Aha! Part of your what?

                                PEARL

No, no, no, I’m sure they haven’t seen Janis tonight!

                                GABRIELLE

You’re what? Tell us.

                                MARIE

Yes, tell us.

                                PEARL

Patty, don’t!

 

 

 

 

November Playwrighting 8: Angels Weep No More (working title)

 I started this play years ago. I rewrote this scene in the magical realism world I created. It has taken a bit to get back into it, and this may be my focus for the next few scenes, as I really need to create that second act. I wrote the beginning of a second act and then fizzled out as there are problems within problems, but I have a few ideas I'll try in the next few days. This all feels like a warm-up to fix some of my abandoned plays. I started writing this for an all-female theatre company that likes lots of combat in their original plays that they create. 

Complete rewrite of Act 1, scene 3 of Père Lachaise Moonlight Mirage or Misted Angels Sleep No More (working titles)Nov 8, 2025

Scene 3

                                GABRIELLE

What is here? Ah, yes, a little bleed, but I get my uh…kit and good as new. Okay. Attendre ici.

                                PEARL

Okay.

(PEARL tries to get up to follow her)

                               GABRIELLE

Non, non, non, wait here.

(GABRIELLE EXITS. PEARL looks around. An owl hoots. She tries to get up, but can’t quite steady herself. She gets something sticklike and pokes JIM. He doesn’t respond at all. She crawls to him and shakes him. Nothing. She tries to find a pulse and there is nothing. She moved too quickly and tries to regain her balance. There is a ferocious rumble shakes the cemetery. PEARL hangs on. A trio of STONE ANGELS bearing a stretcher come to pick up JIM. He is borne away by two of the ANGELS and the third directs them as WEEPING ANGEL takes her place again as a statue. PEARL rubs her eyes in disbelief. GABRIELLE ENTERS running)

                                GABRIELLE

Mon Dieu, tremblement de terre! Tremblement de terre! Tremblement de terre!

(PEARL slaps her)

                                GABRIELLE

Merci beaucoup.

                                PEARL

You’re welcome?

                                GABRIELLE

You are still bit of blood. Here. Sit. I fix. How you feel?

                                PEARL

I….uh….I…uh….I don’t know.

                                GABRIELLE

(examining PEARL’S head)

No more damage. That is good. There are many things that could move here and hurt you.

                                PEARL

Yes, I know. Things move.

(GABRIELLE fixes PEARL’S head)

                              GABRIELLE

I am sorry I had to hit you, but I wanted you to stay put. It is easy to get lost here. It is very dangerous here at night. A shake…

                                PEARL

Earthquake.

                                GABRIELLE

 Oui, it is very dangerous as there are so many statues and other things that fall or could. It is my job to keep people like you, tourists, from hurting themselves or the graves. (under breath) Porcs!

(she spits)

                                PEARL

Rude, much! I’m not a pig!

                                GABRIELLE

 Ha! That word you know! Sure, sure. But tonight, we did not think we would see such a fantastic sight, eh? Très réel et fantastique! I do not know what to think, eh? Where is Jim?

                                PEARL

He moved.

                                GABRIELLE

Where?

                                PEARL

This is a weird night, man. You wouldn’t believe me if I told you. I’m not sure I….

                                GABRIELLE

(puts PEARL in a stranglehold)

Where did you put him? He belongs here! He rests here! You must tell me!

(PEARL wants to answer, but is choking)

Where is he?

(PEARL points to the WEEPING ANGEL, and GABRIELLE gasps, releasing her)

Mon dieu! Non, non, non! C’est impossible! L'ange retourne et pleure à nouveau! How can this be? What black magic did you preform here tonight? Jim Morrison is alive and that angel what?

                                PEARL

No, he’s still dead and that statue took him.

                                GABRIELLE

But we saw him. Did he not walk and talk? This is a statue, it does not walk or talk.

                                PEARL

Yes, but I don’t know how any of this is possible.

                                GABRIELLE

I don’t either, but tell me how you did this.

                                PEARL

I didn’t do anything!

                                GABRIELLE

Then your friend?

                                PEARL

No, none of it was us. We were here to find the…nevermind….

                                GABRIELLE

What?

                                PEARL

It doesn’t matter. It does, but… Janis…

                                GABRIELLE

Janis Joplin? Jim being here as his grave is here, but Janis, how did she…? Why did she? She never lived here. Non, I don’t think so.

                                PEARL

She toured Europe once, but hated it.

                                GABRIELLE

C’est impossible! Paris?

                                PEARL

Especially Paris.

                                GABRIELLE

Américains ! Ils viennent ici et laissent une trace de la litière, n'ont aucun goût et trash de l'endroit. Je n'aime pas Janis Joplin.

                                PEARL

Um…amen!

(There is another ferocious rumble and shaking)

                                PEARL

(to the Heavens) I didn’t mean it!

(the shaking stops)

                                GABRIELLE

What are you doing?

(GABRIELLE picks up a long vase threateningly)

                                PEARL

Nothing! I swear! Chillax!

                                GABRIELLE

Is that English?

                                PEARL

Yes!

                                GABRIELLE

American, English?

                                PEARL                             

Yes! For relax. Just relax. Chill. Chillax!

(More ferocious rumble and quake)

GABRIELLE

Arrête!

(GABRIELLE takes a swing at PEARL with the vase)

                                PEARL

I’m not! I’m not doing a thing!

                                GABRIELLE

You are! Arrête!!

(GABRIELLE keeps advancing with the vase and swinging as the rumble goes)

                                PEARL

Seriously, chillax!

(the rumble quake stops)

                                GABRIELLE

Aha! You did it again!

                                PEARL

Did what? It is just a word.

                                GABRIELLE

A strange non-English, English. A word that triggers….what is it in English?

                                PEARL

Earthquake?

                                GABRIELLE

Oui. Earthquake.

(the ferocious rumble again and shake)

                            PEARL

You did it this time!

(GABRIELLE swings at her and PEARL finds a large framed picture to use as a shield and the stick-like thing now becomes her sword. At the same time GABRIELLE finds a discarded shawl draped on JIM’S grave to act as a net)

                                GABRIELLE

I did not!

                                PEARL

Yes, you did!

(PEARL and GABRIELLE fight, challenging each other at every turn. Perhaps switching out objects found at the grave. THE WEEPING ANGEL climbs down from her perch and EXITS as the mist rolls in. The OTHER STONE ANGELS push and pull the two women as they tussle. Like coaches on the side of a boxing match, keeping it going. GABRIELLE and PEARL are so focused that they don’t notice them.)

                                GABRIELLE

You are the cause of all of this!

                                PEARL

I didn’t do anything, honestly! You said….

                                GABRIELLE

Don’t say it! Shhttt!

                                PEARL

You are cracked!

                                GABRIELLE

Non! You are here to do things! Always! Americans coming and they leave things. Chaos makers!

                                PEARL

I don’t make quakes….things…not earthquakes or people rising from the dead. That is all French! Creepy, creepy French graveyard. Creepy French people.

(picks up a statue off a grave)

And creepy as fuck, French art!

                                GABRIELLE

Non, non, non!

                                PEARL

Oui, oui, oui!

(The STONE ANGELS leave. GABRIELLE has PEARL cornered)

                                GABRIELLE

Admit defeat American! You are under arrest!

                                PEARL

Never! Ungrateful Frenchie!

                                GABRIELLE

Ungrateful Americans!

                                PEARL

You! This! We rescued France during World War II!

                                GABRIELLE

That was so long ago!

                                PEARL

So!

                                GABRIELLE

We stand on our own without your help!

                                PEARL

You wouldn’t be able to stand here…here…as some other country would have taken over by now if it weren’t for us. Europe is all about someone taking over someone else’s land and claiming it for their own. We have never done that!

                                GABRIELLE

Ah, oui, there was no one living in the land you call America before your ancestors claimed it?

(There is an off-stage scream)

 

Pearl

Patty!

GABRIELLE

Merde!

(PATTY, SOPHIE BLANCHARD, and GERTRUDE STEIN ENTER with hands up in surrender, being  held at gunpoint by MARIE-MADELEINE)

                                MARIE-MADELINE

English?

                                PATTY

Oui, English too.

                                MARIE-MADELINE

Sarah? Entrez s'il vous plait!

  (ENTER SARAH BERNHARDT ENTERS sword pointed at PEARL and GABRIELLE)

                                SARAH

Ladies, please, drop your weapons!

BLACKOUT

END OF ACT 1

Saturday, November 08, 2025

November Playwrighting Nov 7: Night and Day scene

 

                Setting text: Night a man and a woman talking on walkie-talkies outside a house.

                                                (SOPHINA is coming around the corner and looking for someone when her toy radio squeals with someone repeating over and over, “Blackbird to bluebird, come in bluebird, over”. “Bluebird, are you there, over.” “Tweet little bird, something, over”. “Hee, hee, tweet little bluebird, shimmer shimmer.”)

                                SOPHINA

Not now! Oh, I hate these things. Why can’t he just be normal and use a phone?

                                        (SOPHINA stumbles around trying to get the radio working)

                                SOPHINA

Shhhhh! You are going to blow our cover.

                                TONY

You forgot to say “over” and “roger”.

                                SOPHINA

Tony, this is ridiculous! Where are you?

                                        (TONY doesn’t answer)

                                SOPHINA

Over?

                                TONY

Bluebird, please address me in this operation as Blackbird, over.

                                SOPHINA

Ok, Black, I mean roger that and where are you? Um…over.

                                TONY

I’m on the south side of the house in the old tree house. Please join me, over.

                                SOPHINA

Roger, that and are you staying the night? Shouldn’t we tell your sister to let her know you are in the tree house? Over.

                                TONY

No, just bring the supplies and I’ll meet you back in the office at 0 hours, over.

(Enter JOY)

                                JOY

Boo!

(SOPHINA reacts)

Whatcha, doing out here?

                                SOPHINA

Nothin’. Just getting some air and looking at the stars.

                                JOY

What stars? You mean that little pinpoint of light.

                                SOPHINA

Yeah, maybe.

                                JOY

Is that what you were looking at? I think that’s a drone or a plane.

                                SOPHINA

Too small for a plane.

                                JOY

A drone, then. Why they fly them things around here at night is beyond me.

                                TONY

Bluebird, what’s your twenty?

                                JOY

What was that?

                                SOPHINA

Nothin’.

                                        (SOPHINA turns off walkie-talkie and tries to hide it. JOY looks at stars)

                                JOY

It sounded like Tony. Couldn’t be.

                                SOPHINA

Yeah, couldn’t be. You must miss him, so you’re thinking of him.

                                JOY

(laughs) Not really. Well, sort of… It’s.. He just makes me so mad every time we see each other; he has to do something stupid. Like last time, he took Mom’s bedspread that she crocheted. What’s he going to do with it? His whole apartment is one big man cave. You should have seen it was an intricate, beautiful white on cream with this pattern, you should have seen it. I remember as a kid, she was working and working on this thing, and it fit their king-sized bed. I only saw her put it on that bed to measure it, and when she finally finished it, she wrapped it up in tissue paper and put it in a box. She’s let me look at it every once in a while and then put it away again. When she passed, I had almost forgotten about it until we were cleaning out her stuff. I was keeping it for Josey when or if she got married and he up and stole it! It was one of the last things of hers I still had, and he didn’t even ask. Ack! Tony is so selfish, you know. Why’s he got to be that way?

                                SOPHINA

I don’t know.

                                JOY

It’s been a minute. Don’t stay out here too long. It’s cold. Do you want me to bring you a blanket?

                                SOPHINA

Nope. I’m fine.

                                JOY

It’s supposed to start raining sometime tonight. I can feel it coming on.

                                SOPHINA

I’ll come in in a bit.

                                        JOY EXITS and SOPHINA turns the walkie on)

                                SOPHINA

Tony, get down here and act like a decent human being!

                                TONY

Bluebird, what’s your twenty? Over.

                                SOPHINA

I got twenty reasons to come up there and clobber you or to tell Joy right now that you’re in her back yard pretending you’re ten again. Get down here and talk to your sister!

                                TONY

Bluebird, you’ll address me as Blackbird during this operation and no. Over.

                                SOPHINA

Blackbird, you are a right bastard. If you don’t face her, I’ll let her know what this whole “operation” is about. Over.

                                TONY

Hold on! Over. I mean where you are Bluebird! I’ll be there in five. Over.

                                SOPHINA

You better make it three. Over.

Thursday, November 06, 2025

November Playwrighting: Crash Sights #3 scene

   (Strong headlights across the stage)

                                OLD JEREMY

Where are we?

                                OLD SECILY

I don’t know.

                                OLD JEREMY

It doesn’t look like…

                                OLD SECILY

Wait, that hill…

                                OLD JEREMY

At dusk…

                                OLD SECILY

No, turn back…

                                OLD JEREMY

Can’t, watch.

                                JEREMY

Where?

                                SECILY

I am not sure.

                                JEREMY

There?

                                SECILY

No.

                                JEREMY

It has to be here.

                                SECILY

I am sorry.

                                JEREMY

Don’t give up. It is alright. We’ll find it.

                                SECILY

We will not! It is all my fault.

                                    JEREMY

No, I should have… it is my fault.

                                SECILY

Okay, yes, it is your fault!

                                JEREMY

Whoa, whoa, whoa… You… okay… Let’s both take a deep breath and a step back. You want this?

                                SECILY

Yes.

                                JEREMY

Me too. We’ll find it.

                                SECILY

When you knelt out here, I thought what is he doing?

                                JEREMY

I thought it would surprise you.

                                SECILY

It did surprise me. Too much.

                                JEREMY

I got that. Keep looking.

                                SECILY

What if it is gone?

                                JEREMY

Keep looking.

                                SECILY

Your mother…

                                JEREMY

Keep searching, please?

                                SECILY

Ok, I look some more.

(SECILY screams and picks up something)

It here!

                                JEREMY

Really?

                                SECILY

No, no, it not. Pop bottle ring.

                                   JEREMY

Well, that could be your ring.

                                SECILY

No, no, no…

                                BOTH OLDS AND ORIGINALS

Keep looking!

                                SECILY

I thought it was joke. Not real.

                                OLD SECILY

It never seemed real.

                                JEREMY

That’s why you threw it?

                                OLD SECILY and SECILY

No, I did not think.

                                OLD JEREMY AND JEREMY

No, you did not.

                                       SECILY

The ring so unexpectedly there in your hand and the question rings beautifully in my ears. I float away. Like a dream or a joke not sure which so I turn around and throw it away, why?

                                    JEREMY

You don’t want it or me.

                                SECILY

Wrong. I want.

                                JEREMY

I want too.

                                SECILY

 It all not real as I never think that… you… so I throw like pinch.

                                JEREMY

Pinch?

                                SECILY

To wake me, I dream.

                                    JEREMY

You… we are awake. No dream.

                                SECILY

Good. That is good. It be a strange dream.

(SECILY steps forward into the road)

Ah, there, I think. See it?

(SECILY bends to pick up the ring as headlights swerve, break sounds)

                                JEREMY

Secily!

(Scream and blackout)